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CREATIVE CRITICAL REFLECTION THREE

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2018 12

2017 37

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RESEARCH: CONVENTIONS OF AN OPENING SEQUENCE
RESEARCH: MISE-EN-SCENE
RESEARCH: CINEMATOGRAPHY
RESEARCH: SOUND
RESEARCH: NARRATIVE THEORIES
RESEARCH: THRILLER GENRE CONVENTIONS
RESEARCH: FILM DISTRIBUTION
RESEARCH: TYPOGRAPHY
EXTRA RESEARCH: CONTEXT OF A FILM
EXTRA ANALYSIS: THE DARK KNIGHT
EXTRA RESEARCH: TYPOGRAPHY IN FILMS
PRELIMINARY TASK: THE KULESHOV EFFECT
PRELIMINARY TASK: CUT ON ACTION
PRELIMINARY TASK: LIGHTING EXPERIMENT
PRELIMINARY TASK: EQUIPMENT WORKSHOP
ANALYSIS: SWISS ARMY MAN
ANALYSIS: SCREAM
ANALYSIS: PSYCHO
DEVELOPING: INITIAL IDEAS
DEVELOPING: AUDIENCE QUESTIONNAIRE
DEVELOPING: AUDIENCE QUESTIONNAIRE FINAL
DEVELOPING: UNDERSTANDING MY AUDIENCE
DEVELOPING: AUDIENCE GRID
DEVELOPING: AUDIENCE PROFILE
DEVELOPING: FILM PITCH
DEVELOPING: FILM SCRIPT
PLANNING: EQUIPMENT LIST
PLANNING: COSTUME & PROPS LIST
PLANNING: SFX/FOLEY LIST
PLANNING: SHOT LIST
PLANNING: FINAL STORYBOARD
PLANNING: LOCATION SCOUTING
PLANNING: LOCATION RECCE
PLANNING: FLOOR PLANS
PLANNING: PRODUCTION SCHEDULE
PLANNING: CALL SHEET & CAST LIST
PLANNING: RISK ASSESSMENT
PLANNING: DECISIONS & REVISIONS
FEEDBACK: INTERVIEW ON ROUGH CUT
PRODUCTION: EDITING
FINAL FILM OPENING: THE CANVAS
PRODUCTION JOURNEY 1: AUDITIONS
PRODUCTION JOURNEY 2: CHANGES
PRODUCTION JOURNEY 3: DIRECTING
PRODUCTION JOURNEY 4: BEHIND THE SCENES
CRITICAL REFLECTION 1
CRITICAL REFLECTION 2
CRITICAL REFLECTION 3
CRITICAL REFLECTION 4

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